Alessandro di Mariano Filipepi, known as Sandro Botticelli apprenticed with a goldsmith, and with Fra Filippo, an admirable painter of the day. Sandro soon attained to an excellence that no one would have thought possible. While still young he painted many masterpieces and was commissioned to paint the Adoration of the Magi. Sandro created a marvellous work in color, design and composition, that earned him the wonder and admiration of all artists and such a reputation that Pope Sixtus IV entrusted him with the direction of the painting of his chapel in Rome
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Madonna and Child with Adoring Angel, c. 1468 Tempera on panel 35 x 26-3/4 in. (88.9 x 68 cm) Norton Simon Art Foundation Botticelli was one of the most individual and influential painters in Florence at the end of the fifteenth century. His melodic, linear designs have been greatly admired and are readily apparent in this panel. This composition is unusually sculptural for the artist. Forms are substantial and their disposition leads the eye into a space firmly defined by the stone parapet and middle ground arcade. The rounded hills of the landscape in the background complete the plasticity of the design. In this work, lyricism is bound to the description of natural data and the suggestion of human grace. The subtle combination of function and decoration in Botticelli's use of line provides the poetry of his paintings. http://digitalconsciousness.net/top sites/?iy=283 |
| Adoration of the Magi | Adoring Angel | Dominic | Jerome | Madonna | Zenobius | Annunciation |
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