Carmelina, 1903
Oil on canvas
32 x 23 1/4 in. (81.3 x 59.0 cm)
Tompkins Collection, 1932 Res. 32.14
“What interests me most,” Matisse wrote, “is neither still life nor landscape but the human figure. It is through it that I best succeed in expressing the nearly religious feeling that I have towards life.” Here, in a rigorously balanced composition, the curves of the model’s body are accentuated by the interlocking rectangles of the background, where the artist and his model are reflected in a mirror. Matisse declared that “the whole arrangement of my pictures is expressive. The place occupied by figures or objects, the empty spaces around them, the proportions, everything plays a part.” In this early work, Matisse is already a master of color, playing off vibrating reds and blues against the blocks of warm earth tones representing furniture, walls, picture frames, and blank canvases. |