Madonna in the Meadow 1505 or 1506
Wood H 113 cm, W 88.5 cm
Within the short span we call the High Renaissance, Raphaels "Madonna in the Meadow is the classic example of a geometric composition based on a triangle or, more exactly, a pyramid. Within this confinement, we find a spirited yet harmonious treatment of the figures. It is full of parallel and contrapuntal relationships. Beyond that, the wide, green landscape, turning blue in the distance, and the softly curving hills combine to unite all the various elements into a balanced whole. The group of figures is at one and the same time ordered and lively, a new and unusual combination of contrasting elements, complete in itself without any extraneous factors. At the time of this painting, Raphael had been influenced greatly by Leonardo da Vinci (30 years his elder) and had avidly followed Leonardos formal experiments with Madonna compositions. Above all, the organic linking of psychic and physical motifs, of action and reaction, create a suspended unity of both formal and programmatic elements. "Only the purest beauty of woman and child can evoke thoughts of the supernatural. After one and a half millennia, art has finally reached the point where the figures alone, without any additions, seem eternal and divine. (Jacob Burckhardt) |